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The prince and the dybbuk

title: ?The Prince and the Dybbuk? genre: documentary length: 82 min. script: Piotr Rosołowski & Elwira Niewiera director: Elwira Niewiera & Piotr Rosołowski sound: Marcin Lenarczyk, Franciszek Kozłowski editor: Andrzej Dąbrowski production managers: Marta Golba, Michal Honnens, Magdalena Jakubowska, Michał Jedynak production: Małgorzata Zacharko (Film Art Production, Cracow) Matthias Miegel (Kundschafter Filmproduktion GmbH, Berlin) Ann Carolin Renninger (zero one film GmbH, Berlin) coproduction: Rundfunk Berlin-Brandenburg, Eurimages, Chimney Poland, TVP Kultura, Adam Mickiewicz Institute, National Film Archive – Audiovisual Institute, supported by Polish Film Institute, Eurimages, Medienboard Berlin-Brandenburg, Polish-German Film Fund.

The story of a glamourous human chameleon haunted by a mystical spirit

It does me good not to know who I am.
– Prince Michał Waszyński
Who was Moshe Waks, son of a poor Jewish blacksmith from Ukraine, who died as Prince Michał Waszyński in Italy? Was he a golden boy of cinema, a cunning fraud or a man who couldn?t distinguish between the illusion of film and reality?As a director and Hollywood producer, Waszyński made over 40 films and worked with major movie stars including Sophia Loren, Claudia Cardinale and Orson Welles.
His true obsession, though, was The Dybbuk or Between Two Worlds, directed by Waszyński in 1937 and based on an old Jewish legend in which a young woman is haunted by the spirit (?dybbuk? in Yiddish) of her first love. Not only is it one of the most important and mystical Yiddish films ever made, The Dybbuk also mirrors Waszyński?s personal life as a restless man with many secrets and untold stories. With the years, the idea of unrequited love and spiritual possession take on a more and more prominent role for him.

Tracing Waszyński?s footsteps from Poland, Ukraine and the USA into Italy, Israel and Spain, directors Elwira Niewiera and Piotr Rosołowski (Domino Effect) take us on a cinematic journey into the life of a human chameleon, constantly changing names, religion, titles and countries to write his own life story as if it were a film.